Showing posts with label Kitty Pride. Show all posts
Showing posts with label Kitty Pride. Show all posts

Wednesday, May 29, 2013

Spotlight: X-Men #1

(w) Brian Wood
(p/i) Olivier Coipel
(i) Mark Morales

I don't know what I was expecting.

Honestly.

I had absolutely no idea how to feel about Brian Wood's all-female relaunch of X-Men. Well, I had one. I felt (and still feel) that it should be titled X-Women. But that's beside the point.

X-Men #1 is a surprisingly awesome book. It starts out slow, and unless your generally familiar with the X-Men lore as of late...and into the 1990s, you might have a harder time jumping on. But that's to be expected in this modern age of continuity and time travel travesties. Wood has assembled all the most bad-ass female X-Men for a squad whose mission is to stop the destruction of all life in the universe.

While it doesn't sound like a terribly original plot, the threat itself that really drives this title. John Sublime was created by Grant Morrison during his run on New X-Men. He's the embodiment of a sentient bacteria that's been infecting living things since the beginning of life on Earth. Though he became somewhat buried amongst Morrison's numerous high-concept ideas for the X-Men at the time, Sublime represented a deep-seeded fear of someone or something having control over us as humans. He was a powerful character, not only literally, but also literarily.


**SPOILERS, HOOOOO!!!!!!!!!**


And now we learn Sublime has a sister.

Unfortunately, she's not like her terrestrial brother who chose to nurture life on Earth. Sublime reveals that their ancient, bacteria-level, primordial war resulted in his choosing Earth and casting his sister out into space to fend for herself and hope for evolution. And now she's all grown up and angry as hell.

Wood's focus on family comes through with this brother/sister relationship, as well as through Jubilation Lee's return to Westchester County to seek help from the X-Men. Though I detest narration boxes, Wood employs them well here with Jubilee, keeping it light and fast-moving to avoid lingering on something too long and sounding corny.

Jubilee has been out of the picture long enough for Wood to bring her back without having to do much by the way of quick character development. It's not like she's Wolverine and Wood's got to establish that this is, in fact, Wolverine by making him say "Bub" and look menacing while discussing an ethically impossible scenario. This is Jubilee, a character whose been out of rotation for a long time and needs to be treated accordingly. Fortunately, Wood does this by keeping her panel time relatively small. Though the infant she carries is the focal point of the issue, we don't get an intimate look at Jubilee. She's been away for a reason and now, she's wary of returning.

I LOVE Olivier Coipel's artwork. There's not much more to say there.

These days, I find myself enjoying stuff I often scoff at when reading solicitations. It's a bad habit I'm trying to drop, but it's also a testament to how early previews sometimes skew opinions before the book has a chance to really make it's own case. I made a choice to invest myself in #1's when I got back into comics with the 'New 52' and Avengers vs. X-Men. I did this so the comic could prove itself without my preconceived notions getting in the way. X-Men #1 makes my case.

GRADE
9/10

Wednesday, October 31, 2012

REVIEW: WOLVERINE and THE X-MEN #19


(w) Jason Aaron
(p) Nick Bradshaw
(i) Walden Wong

I started reading Wolverine and The X-Men at issue nine when the series started it's "Avengers vs. X-Men" tie-in arc. At the time, I found the book to be inexplicably irritating. To this day, I can't explain (even to myself) why I was so averse to reading about the Jean Grey School of Higher Learning. After seeing Logan and his students through the events of "AvX", I've come to appreciate Jason Aaron's whimsical and off-the-wall take on a school for mutant children. Wolverine and The X-Men #19 is the first issue to be published under the 'Marvel NOW!' banner. One might assume this is only because "AvX" is over, and in that assumption, one would be wrong. Aaron goes to great lengths, this issue, to give readers a good jumping-off point for the series. 

The biggest result of "Avengers vs. X-Men" was the activation of new mutants across the globe. Since the JGSHL is the only school equipped to deal with such a situation, Kitty Pride is attempting to prepare for an onslaught of new students. Husk has been put on medical leave for psychological reasons, meaning Kitty's got potentially hundreds of new students to enroll with one less experienced teacher. Aaron has some fun with these pages, having random mutants and heroes from around the Marvel Universe applying for the job including Blade, Sasquatch and Puck (from Alpha Flight), Damian Hellstrom, Dr. Nemesis, Ghost Rider (???), and, of course, Deadpool.

The other half of the issue is dedicated to the attack on Broo at the end of last issue -- the under-18 version of the Hellfire Club shot the pacifist Brood child and left him for dead in a field. While Beast attempts to recruit the greatest scientific minds on the planet in efforts to restart Broo's damaged brain, Wolverine and Rachel Grey scour Westchester County for the assailant. Broo has been a fan favorite since he was introduced, and it's sad seeing him broken in a hospital bed, stuck in a coma. Jason Aaron is very good at tugging on heart-strings and it shows this issue.

I'm actually very much anticipating this coming year of Wolverine and The X-Men. The series only got eight issue under it's belt before being forced to connect to "AvX" events, so it will be fun and interesting to see how Aaron handles the series going forward.

GRADE
8/10