Showing posts with label Jason Todd. Show all posts
Showing posts with label Jason Todd. Show all posts

Saturday, June 16, 2012

(COMIC) BATMAN AND ROBIN #10

STORY: Peter J. Tomasi
ART: Patrick Gleason and Mick Gray

In the month after "Night of the Owls", all the Batman-related books are starting new story arcs. Peter J. Tomasi and Patrick Gleason's Batman and Robin #10 might be simultaneously the most interesting and the most boring new story of the bunch. Since Big Ol' Bats already has three series dedicated to his solo outings, Tomasi has been focusing on Damian Wayne quite a bit, not only dealing with his daddy issues throughout the first arc, but also with Damian's talent for strategic battle during last month's Talon incursion. This has been a consistently smart move on Tomasi's part.

Batman and Robin #10 kicks off "Terminus", but you'd barely know it if you didn't want to. The so-called Terminus takes a far, far back seat to the issue's main events. All the same, this guy obviously has criminal intentions, and his body seems to be falling apart. Terminus spends the issue regenrating in some crazy regeneration machine. That's it. I'm sure there will be more to this, but it also doesn't seem very interesting. At this point, Terminus is just some dude who wants to kill Batman - hold the phone! No, the real meat in this issue comes from the 'War of the Robins' storyline.

Bruce has called all the Robins, former and current (except for Jason Todd, for obvious reasons), together for a family portrait at Wayne Manor. One of the best things about the Robin mantle is that there isn't one type of person who becomes Robin - they come in all shapes and sizes and personalities. Within minutes, Tim Drake and Damian are at each other's throat. Dick Grayson loftily sits above their squabble, as his position as Robin can never be questioned (he's the O.G., baby!)

The feud between Tim and Damian is interesting, mostly because it stems from simple disrespect. Whenever Batman and Superman had disagreements, they never lost respect for one another, but neither boy here regards the other in any good light. For Damian, Tim is stuck-up and looks down on Damian, while Tim feels that Damian is a psychopath and unworthy of a title he and Dick worked hard to maintain. That's pretty much the description you're going to get anywhere else. The truth of the matter is much deeper, even if Tomasi doesn't know it.

Tim Drake was the son Bruce never had. Sure, Dick was the first Robin and literally had no parents and was adopted by Bruce, but they've always had a stronger working relationship (at least in my memory. Maybe I need to go back and reread old Silver Age issues). Tim, on the other hand, was the one who figured out who Batman was, the one with the detective skills to rival Bruce's own, and the Robin that took the name from respectable to iconic. Like I said, Tim was the son Bruce never had. Until Damian. Tim's real beef is that Damian is a real Wayne and Bruce's actual son. Obviously, it's painful to see your mentor and father-figure move on to a new apprentice, a new disciple. And sure Tim left of his own accord, but he keeps the mantle Red Robin, an obvious homage to his former title which means he still has deep emotional ties to the name and the job. Dick, conversely, left and took the name Nightwing, moved to a new city and generally tried to distance himself from Batman for quite some time.

Damian, of course, lives in Tim's all-encompassing shadow. Tim held the mantle for so long and did so well, it's obvious to Damian that Bruce is looking to make Damian more like Tim. The entire first arc of Batman and Robin was about Damian's issues with his upbringing as a killer, and in a sense, he was able to make a good step forward in dealing with those issues. But Tim is always there - a constant reminder of how good a Robin can be and how lacking Damian is compared to Tim.

The night after their blow-up at Wayne Manor, Damian calls all the former Robins together, even extending an invitation to Jason Todd, the Red Hood! When they all show, Damian declares "war" on them. Damian explains that at some point, he will confront each of them and defeat them at something they consider themselves the best. Of course, they all immediately assume Damian means a fight, but the little Robin's much smarter than that! His only goal with Tim is to get Red Robin to admit he'd had homicidal thoughts. Tim rebuffs this by saying he's never acted on those thoughts, which is what separates them.

I really do tend to enjoy superhero stories where the heroes are in-fighting, and the "War of the Robins" portion of Batman and Robin #10 is totally awesome. My psychoanalytical critique aside, these characters are all awesome and now, they've got an arc slowly building that will pit them all against one another in a variety of circumstances. FANTASTIC. Terminus will probably continue to be a boring sub-plot that will eventually slip it's way into the main story, pulling the entire arc down as a result, but we'll cross that bridge when we get to it. For now, awesomeness.

GRADE
A

Tuesday, April 24, 2012

(COMIC) RED HOOD AND THE OUTLAWS #8

STORY: Scott Lobdell
ART: Kenneth Rocafort

Welcome to the first post of coverage for Red Hood and The Outlaws. Like many titles I don't regularly cover here, I've been reading about Jason Todd, Roy Harper, and Koriand'r since DC's 'New 52' relaunch. When I originally made decisions about what to cover for "The Endless Reel", I decided against RHatO because it technically stands as a Batman-related title, and I didn't want to overload myself - or readers - with Bat-related material. Of course, after seven months of reading the increasing odd exploits of these three non-team-members, it's pretty obvious Jason's connection to Batman simply serves to set a base for his personality and place in the world. And so - coincidentally enough - does this issue of Red Hood and The Outlaws serve as a set-up t next month's tie-in to the "Night of the Owls" event.

Scott Lobdell's work on RHatO is similar in both style and scope to Dan Abnett's Resurrection Man. Both titles are about fun, comic book-y issues that (may) eventually tie together, but mostly stand on their own as well. This month, Jason, Roy, and Kori go after Suzie Su, a new character created by Lobdell who has a history with Jason that ended with Jason killing everyone in her father's gang. Seeking revenge, Suzie wakes up out of the coma Jason put her in years earlier and takes a wing of the hospital hostage until the Red Hood shows himself.

Suzie is being treated in a hospital in Gotham, so when she wakes up and takes hostages, Jason & Co. are forced to travel to Gotham as well, giving them a reason for being in Bruce Wayne's city on the night that the Talons attack. It's definitely a little forced, having the Outlaws show up just in time to help Batman and the others contain the Talon insurgence. But seeing how far removed Red Hood and The Outlaws is from the regular Bat-canon, it makes sense to use a rather unsubtle means to bring Jason and his team to Gotham.

The flashback cameo from Red Robin was great and was a fantastic way for Lobdell to create a more cohesive world between Teen Titans, Superboy and Red Hood and The Outlaws. In events that took place about a month prior to the confrontation with Suzie Su, Jason and Tim meet to bring each other information. Jason informs Tim about "Wonder Girl", and Tim give Jason the info about smugglers coming into Miami (from RHatO #1!). Seeing Lobdell make connections between his three titles for the 'New 52' is awesome, and it's something DC has needed for a while.

Next month, I'm sure I'll have a whole lot more to write about than a 'prelude' issue, so don't miss out on the coverage for "Night of the Owls".

GRADE:
B-