Showing posts with label Vostok. Show all posts
Showing posts with label Vostok. Show all posts

Wednesday, October 31, 2012

FEATURED REVIEW: AQUAMAN #13


(w) Geoff Johns
(p) Ivan Reis and Joe Prado

"The Others" concludes this issue after a six-month adventure featuring the rag-tag team of misfits that Arthur Curry once allied. Geoff Johns has done a stellar job going beyond a simple character reboot, and has made Aquaman one of the preeminent characters in the 'New 52'. While the first arc, "The Trench", did well to give readers a general structure for Arthur and the series in general, "The Others" has been all about character development and growth - Arthur's history with Black Manta isn't as black and white (eh? eh? Get it??) as it was pre-'New 52', and that's led Johns to make both characters more interesting and fun to read than they have in years. 

Don't get me wrong, "The Others" has it's fair share of faults -- Aquaman's constant violent bitterness, Mera's ineptitude when it comes to Arthur's feelings, a whole new cast of characters that only somewhat make an impression -- but these nitpick-y criticisms are part of a larger picture that Johns is drawing concerning the King of Atlantis. Obviously, this isn't the last time we'll be hearing from Arthur's old teammates, so it makes sense that Johns didn't want to reveal everything about these characters in their introductory arc. After learning that Arthur had a whole life before meeting her, Mera doesn't really know how to approach her husband, and that's exactly what the character needs at this point in her narrative.

The biggest problem I had with "The Others" was Arthur's irrational anger and 'Lone Ranger' attitude that continued to get him into trouble. It's becoming more and more clear that Johns is using 'mystery' as a story element that applies to Arthur on a variety of different levels -- his ancestry, this friends, his motivations, etc. Arthur is an introvert, and one that seemingly gets explosively angry when others impede on his isolation. I understand wanting to make Aquaman a little rougher around the edges, but making him a huge jerk to his longtime friends is not the way to do it, per se.

That being said, Aquaman #13 turns the entire story around for me in a positive light. Arthur is finally starting to understand that by pushing away those who love him the most, he was putting them in more danger than if he had just accepted their help. At the end of Aquaman #12, Others member Vostok was murdered by Black Manta. Vostok was the most secluded of the group, spending decades waiting for the team to come back together so he could have a purpose once more. Arthur doesn't handle Vostok's death well, but in a good way. Obviously, Arthur is heartbroken that one of his oldest allies is dead, but the half-Atlantean hero uses this horrific event to motivate himself to be better than he's been.

The message Johns tries to convey with Aquaman #13 and "The Others" as a complete arc, is that Arthur Curry used to be a different man, one that used violence and anger to solve all his problems until those same qualities became the source of all his problems. Black Manta's presence was the trigger that brought the old Arthur bubbling to the surface. It's a truly genius way to write a story, letting the tale almost tell itself as Arthur's past starts to make more and more sense in context with the rest of his team. Arthur even admits, "I didn't tell you...because I'm ashamed, Mera." Arthur understands that his past is just that -- the past. He wants to separate himself from the chaotic man he used to be, but the ghosts of former mistakes keep rearing their heads.

In the end, Johns reveals that Black Manta's entire mission was simply building up to the upcoming "Throne of Atlantis" crossover with Justice League. Manta answers to someone, but we don't yet know who. It's most likely Arthur's half-brother, Orm (more popularly known as Ocean Master), but knowing Geoff Johns and his penchant for throwing curve balls, it may be someone even more sinister. Aquaman #13 is as perfect a conclusion issue as one can get. It neatly (but not too easily) wraps up "The Others", shows how the protagonist has learned and grown because of the events that transpired, and it deftly makes readers excited for the next story.

GRADE
9.5/10

Wednesday, July 25, 2012

AQUAMAN #11

STORY: Geoff Johns
ART: Ivan Reis, Joe Prado, Jonathan Glapion, and Andy Lanning

While he gets out all of the cosmic-level threats and crossover bonanzas with Green Lantern, Geoff Johns saves the scandal and intrigue for Aquaman, a series that has been one of the 'New 52's best titles, not only for it's fantastic arcs and high-caliber artwork, but also because this is a character who has never really been treated right, so Johns is doing everything he can to right that wrong. "The Others" started off rather vague, only sparingly giving readers small amounts of information regarding the team Arthur was on before the Justice League. Most of this arc has been about Aquaman's relationship with his arch-nemesis Black Manta and how it differentiates from old DCU canon, even on a metafictional level. So it's nice that in Aquaman #11, Johns gives us a little more character development for some of the...well...other members of the Others.

"The Others" is starting to feel like 'Arthur Curry's Asshole Hour' because he just can't seem to be nice to any of his former teammates. While the King of Atlantis may have shown some compassion to some persons during the run of "The Trench", all of that seems to have been washed away in favor of a far more pig-headed version of Arthur that wont listen to anyone else and makes rash, impulsive decisions that hurt him and those around him. And while I'm confident this is all part of Johns' plan for Aquaman, it's a bit disconcerting to see the character so violently shaken from his generally stoic presence. Then again, having to deal with a vengeful criminal who happens to be a genius super villain can push a man.

If the Justice League is supposed to be the cool kids club, then the Others is definitely the nerd table. Aquaman himself straddles the line between mainstream and alternative, while the four other remaining members all have some quirk that keeps them from enjoying an actual life outside their powers. Prisoner is haunted by the memories of his military squad and their families - he constantly feels the pain of having lost his surrogate brothers, while simultaneously feeling empty because he had no real family of his own. The Operative - whom we discovered is an elderly gentleman last issue - assumes the thankless mantle of the "nameless agent working for every side..." then using those relationships to garner support when need be. As evidenced by his age, the Operative seems to believe his actions are necessary to keep the world spinning, so to speak.

Vostok quickly becomes the most interesting of the team after his quick tale of growing up in a Russian isolation chamber (with literally no human contact at all) in preparation to be the nation's greatest Cosmonaut, a dream that faded when the program was cancelled and Vostok was released, left to wander a world full of creatures and things he have never seen. Vostok admits to the team that he's been on the moon for two years, "waiting for you to contact me." Even on a team of misfits, Vostok is 'out there'. All of the Others are outsiders who don't fit into normal society, and they came together because of this fact.


"The Others" continues to be dynamite. Johns is weaving an intricate melodrama that's less about the sinking of Atlantis and more about Arthur Curry's relationship with his past. While Black Manta represents the worst of Aquaman's history, the Others represent the best of his younger days. Unfortunately, Arthur is only focused on defeating Black Manta, forsaking the help of his allies and opting to rush in by himself. Black Manta's big find at issue's end also promises big things for the next issue.


GRADE:
A