Showing posts with label New Avengers. Show all posts
Showing posts with label New Avengers. Show all posts

Tuesday, March 19, 2013

The Week In Revue (Mar 20-26, 2013)

------- Spotlight
Constantine #1
(w) Jeff Lemire and Ray Fawkes     (a) Renato Guedes
JOHN CONSTANTINE GETS HIS OWN SERIES IN THE 'NEW 52'!

------- DC Reviews
Justice League #18
(w) Geoff Johns     (a) Ivan Reis and Joe Prado
THE METAL MEN MAKE THEIR 'NEW 52' DEBUT!


Justice League of America #2
(w) Geoff Johns     (a) David Finch
WILL THE NEW JLA COME TOGETHER TO STOP THIS SECRET NEW THREAT?

---------- mini reviews
Green Lantern: New Guardians #18
(w) Tony Bedard     (a) Aaron Kuder
"WRATH OF THE FIRST LANTERN" CONTINUES!

Wonder Woman #18
(w) Brian Azzarello     (a) Tony Akins
WHAT DOES THE GOD OF WAR HAVE PLANNED FOR DIANA'S FUTURE?



------- Marvel Reviews
All-New X-Men #9
(w) Brian Michael Bendis     (a) Stuart Immonen
THE ORIGINAL FIVE X-MEN GET NEW COSTUMES!

Avengers #8
(w) Jonathan Hickman     (a) Dustin Weaver
THE AVENGERS FACE THE WORLD BREAKER! LOOK FOR CONNECTIONS TO NEW AVENGERS!


---------- mini Reviews
Captain America #5
(w) Rick Remender     (a) John Romita Jr.
THE ODD WAR OF DIMENSION Z BEGINS HERE!


Nova #2
(w) Jeph Loeb     (a) Ed McGuinness
THE ORIGIN OF SAM ALEXANDER CONTINUES!

Monday, January 21, 2013

EXTRA! EXTRA! (JAN 16-22, 2013)

All-New X-Men #6
(Bendis, Immonen)

After a five-issue opening salvo, Brian Michael Bendis begins his second arc with All-New X-Men #6 by focusing on Jean Grey and Cyclops as they each start to adapt to the modern day through trials by fire. For Jean, those trials involve dealing with her newfound powers, while Scott discovers a completely new world once he drives off the school grounds with Wolverine's motorcycle. Bendis does an excellent job playing Jean and Scott off of Kitty Pryde and Logan respectively -- Kitty teaches Jean a psychic cool-down technique Jean taught Kitty years ago, while Logan begrudgingly tries to be civil toward a young Scott Summers fearing for his safety because of something he hasn't done yet. I was worried, early on, that Bendis wouldn't be able to sustain All-New X-Men beyond the shock value of the original five X-Men being in the present, but he's proved that there's a lot that comes with being time-displaced amongst your future self, and that's what's going to keep this series alive for a long time.

GRADE: 9/10

Batgirl #16
(Simone, Benes)

I mentioned in my review of Batman #16 that "Death in the Family" is getting a bit long in the tooth, and that fact is quite evident in Batgirl #16, an issue that not only grasps at Joker straws for plot advancement, but also calls into question the entirety of Joker's actions in general. Joker explains to Barbara (after saying it to basically everyone else in one form or another) that Batman's allies are his weaknesses and the only way to make him stronger is to eliminate those weaknesses -- so Joker decides to kill the others and...marry Batgirl? The whole idea is cool from a theoretical standpoint, but the concept of Joker wanting to maim and wed Batgirl is just kind of silly; there's no real reason for Joker not wanting to simply kill Batgirl, and the inclusion of James Gordon Jr. is the only thing that kept me reading, as he was obviously the wild card that was injected to make a rather mediocre "DotF" tie-in worthwhile. I like Gail Simone, but her event crossover issues have just not been that good, and it all comes to a rather uninspired conclusion here in in Batgirl #16.

GRADE: 5/10

Demon Knights #16
(Vendetti, Chang)

Demon Knights #16 moves forward 30 years to reconnect the Demon Knights with each other once again to take on an impossible task: defeat the monster Cain before he can reach the island of Themyscira and turn the Amazonian population into his unstoppable army. Every member of the original team is imbued with some sort of agelessness, except for Al-Jabr, who has built a grand city of innovation in Spain, though has grown old as well. Robert Vendetti does an exceptional job catching up readers to the current status quo without giving too much away (what's up with Ystin and Exoristos' relationship going all sour?), as well as making the issue accessible enough for new readers to be able to understand who these characters are and why they're together. I've heard rumor that Demon Knights is next in line to be cancelled, and if that's true it would be a real shame because Paul Cornell -- and now Vendetti, as well -- has built up such an amazing a focused vision of DC's history.

GRADE: 8/10

Frankenstein: Agent of S.H.A.D.E. #16
(Kindt, Ponticelli)

It's the final issue of Frankenstein: Agent of S.H.A.D.E., which is sad because it's such a great series, but it's good because it means Matt Kindt and Alberto Ponticelli poured their all into issue to send the series off in good fashion. "The Monster Bomb" really doesn't differ much from the Creature Commandos' normal missions -- they're tasked with stopping a dirty viral bomb from being dropped on Central City by a terrorist cell known as The Plague -- so it's Karl Martin's parallel story that makes the issue more interesting. Martin's testimony to his superiors as to the legitimacy of monsters running around a major city land him a forced leave of absence to help deal with his delusions of a shadow organization employing cliche monsters to do in hours what federal organizations do in years. Matt Kindt decides to play it up for this series finale, giving us two sides of the same story and offering a more relatable situation that also acts as a way to bow out with dignity.

GRADE: 8/10

Indestructible Hulk #3
(Waid, Yu)

Slow-burn is the name of Mark Waid's game with Indestructible Hulk -- he has been taking deliberate steps to frame Bruce Banner's new designation as an agent of S.H.I.E.L.D., allowing the idea of the Hulk being an employee of an international peacekeeping/espionage organization to sink in a bit. That being said, Indestructible Hulk is moving a little too slow at times, and the action sequences are few and far between; case in point, this month's issue only really has one big fight scene, and it's over in a matter of panels. I'm predisposed to like Waid's Indestructible Hulk purely based on what I've seen the man do with other characters, but I'm worried there might be a lot of self-fulfilling prophecies and writing to expectations instead of what's good.

GRADE: 7.5/10

New Avengers #2
(Hickman, Epting)

If high-concept, science-saturated, ethically-complex storytelling isn't your cup of tea, New Avengers is going to be your least favorite series of the year -- Jonathan Hickman packs so much into New Avengers #2 that it might take you more than a fair share of rereads to understand what's really going on. Because Earth seems to be the constant incursion point in a chain reaction of imploding universes, the Illuminati gathers to discuss how to deal with the rapidly approaching end of all existence without resorting to killing other worlds to save our own. Mister Fantastic, Dr. Strange, Black Bolt, Namor, Captain America, Black Panther, and Iron Man all have their work cut out for them as they must keep the multidimensional apocalypse a secret, and also because one of the flash-forwards might possibly have revealed the origins of the coming Age of Ultron! Hickman and Epting have developed a stunning series with this new volume of New Avengers, and it's only going to get bigger and better.

GRADE: 9/10

Superboy #16
(DeFalco, Coello, Pinna)

There are really not adequate words to describe how bad Superboy #16 really is; aside from the lazy art and completely nonsensical plot points, Kon-El's personality goes through wildly changing iterations, Flash's internal monologue is some of the stupidest I've read in months, and "H'el on Earth" has become more confusing as opposed to more clear, which is what a story is supposed to do the farther along it gets. Throwing the Justice League into this issue is a blatant play for sales of a book that's simply bad -- Kon is basically just the League's pawn this issue, and their overall plan to use his telekinesis to overpower H'el's forcefield around the Fortress of Solitude is so dumb it's laughable (and Batman admitting he doesn't know what to do?!?! WHY TOM DEFALCO? WHY!?!?) There's really not a whole lot to like about Superboy #16, whether you're coming in as a new reader intrigued by "H'el on Earth", or you're a regular buyer who keeps up with the book. It boggles my mind as to why DC is so flippant with how they're handling their flagship teen hero and making him a cardboard cutout of a protagonist in order to pump up a severely fractured and uninteresting story.

GRADE: 2/10

Tuesday, January 15, 2013

THE WEEK (JAN 16-22, 2013) [update]


For all you regular readers out there, I want to apologize for not updating very much last week. It was a busy, stressful week that only got busier and more stressful with each passing day. It all culminated with a 5 1/2 hour drive to Washington D.C. on Sunday and the same drive back on Monday. With that being said, I'm ready to get back on the wagon and bring you as many reviews as I can this week! Enjoy!


FEATURED REVIEW
Savage Wolverine #1
(Cho)
Frank Cho tackles one of the two Wolverine titles for 'Marvel NOW!', taking the X-Men's most dangerous member to the Savage Land for some good old animalistic fun times! I mean, it's Wolverine and Shanna the She-Devil vs. dinosaurs? Count me in.

Batman #16
(Capullo, Synder)
I really hope DC keeps Scott Snyder and Greg Capullo together on Batman for as long as possible because that pairing is just a dream. Early reviews already call Batman #16 not only a turning point for "Death of the Family", but also an excellent use of a villain that's recently become a little over-exposed.

Batman and Robin #16
(Tomasi, Gleason, Gray)
It's Batman vs. Robin! Last month, Peter J. Tomasi left us hanging with a Joker venom-infected Batman coming after the Boy Wonder! Who will win? Joker, obviously. Because the villain always wins right?

Captain America #3
(Remender, Romita Jr.)
A lot of people aren't feeling Rick Remender's Cap' after all those years with Ed Brubaker, but I've thoroughly enjoyed both issues so far. I've always been a fan of John Romita Jr.'s artwork, and Remender's Dimension Z epic is just that: epic.


Indestructible Hulk #3
(Waid, Yu)
It's Hulk's first mission as an official Agent of S.H.I.E.L.D.! What could go wrong? Mark Waid is just one of the best writers currently working, and Leinil Yu's amazing, beautifully chaotic artwork just makes the book.

Saga #9
(Vaughan, Staples)
There's not a whole lot to be said about Brian K. Vaughan and Fiona Staples' amazing Saga that hasn't been said about a thousand times. But I'll try because I love it so much.

Threshold #1
(Giffen, Raney)
Spinning out of the events in Green Lantern: New Guardians Annual #1, "The Hunted" begins as Jediah Caul is tuck in the Tenebrian Dominion with a giant target on his head! While I really wasn't impressed with "Threshold #0" in GL:NG Annual #1, I'm more interested in Giffen introducing DC's space-faring heroes, as well as Larfleeze's back-up story written by Scott Kolins!

Extra! Extra!
All-New X-Men #6
(Bendis, Immonen)

Batgirl #16
(Simone, Benes)

Demon Knights #16
(Vendetti, Chang)

Frankenstein - Agent of S.H.A.D.E. #16 - Final Issue!
(Kindt, Ponticelli)

New Avengers #2
(Hickman, Epting)

Superboy #16
(DeFalco, Silva)

Wednesday, January 2, 2013

FEATURED REVIEW: NEW AVENGERS #1

(w) Jonathan Hickman
(a) Steve Epting
(i) Rick Magyar

It took a relaunch of a series during a line-wide retooling with a brand new creative team for Marvel to get me to notice Black Panther, and by golly, it worked.

I've never been a Black Panther fan -- he's a character who has simply never appealed to me. That being said, I've never disliked Black Panther, either. Jonathan Hickman and Steve Epting's New Avengers #1 changed all that with a stellar interpretation of T'Challa that highlights his intellect and grace while simultaneously kicking off an intricate new narrative that brings the Marvel Illuminati back together for the first time since before Secret Invasion.

During the latter half of his tenure as Avengers head writer, Brian Michael Bendis' multiple Avengers titles started to bleed together in terms of narrative structure and character choices -- each series seemed to feature the same cast of heroes, only shuffled around depending on the arc and/or team. Really, there wasn't much of a difference between how New Avengers (Vol. 1-2) read and how Mighty or Secret Avengers read. Hickman has killed two birds with one stone with his Avengers/New Avengers one-two punch by reigning in the number of Avengers titles while also providing two unique storylines, each with a narrative flow distinct from the other.

After a brief introduction and history of the group known as the Illuminati (including a rather ominous monologue about death from Mr. Fantastic), New Avengers #1 takes us to the jungle of Wakanda as a trio of young adventurers have come to the end of their quest to be new Makers. While Hickman doesn't come out and tell us what 'Makers' are, per se, context clues can lead us to assume that the title is important in Wakandan culture, and that it has something to do with bettering society as a whole by venturing out past the national borders. Without skipping a beat, Hickman delves right into the situation that will bring Marvel's most powerful figures back together: our universe is about to collide with another.

Knowing ancient Sumerian will be a boon for anyone reading this issue, as the language is used rather liberally throughout the story. T'Challa discovers that an alternate Earth is hanging above ours. How and why this other Earth can't be seen by the naked eye doesn't really matter at this point. What's important is stopping whatever's happening from happening. To complicate things even more, a band of militaristic soliders descends onto our Earth, from the one hanging in the sky, speaking Sumerian like everyone should know what they're saying. It turns out they can speak English too, but they seem to prefer to talk amongst themselves in the ancient tongue, and that's got to be more than just a coincidence. Without breaking a sweat these new enemies quickly dispose of Wakanda's new Makers, leaving T'Challa to fend for himself and stop the destruction of Earth. Who does one call in for back-up for a task such as this?

Jonathan Hickman's approach to the Avengers is mesmerizing. In one hand with Avengers, he's building the biggest, most expansive Avengers team to date, while in the other hand with New Avengers, he's telling the story of the most hidden and shadowy group of 'Avengers' ever. New Avengers #1 bucks the pitfalls of a focused first issue, as well. For a team book, starting things off by only focusing on one character is usually a big mistake. Focusing on a less popular/mainstream character such as Black Panther is equally risky. Similarly, using a rather narrow and specific plot points (the Illuminati) from embedded continuity can also repel new readers. In all of these instances, Hickman masterfully trumps the missteps by providing effective explanation through showing rather than telling. It's okay that Black Panther is the focus of this issue because he's a surrogate for the reader in terms of understanding what's going on. We're given basic exposition, then it's all about the well-paced storytelling.

New Avengers #1 is exciting. It's subtle and underscored to juxtapose the grandiose and larger-than-life Avengers. Less is more with Jonathan Hickman. Instead of spreading himself thin by penning three, four, five Avengers titles, he's consolidated down to two series that are already show a whole world of promise Bendis could never achieve. This is how the Avengers should be, and Jonathan Hickman is providing it in spades.

GRADE
9/10

Tuesday, January 1, 2013

THE WEEK (JAN 2-8, 2012)

FEATURED REVIEW
New Avengers #1
(Hickman, Epting)
Jonathan Hickman's Avengers is already a homerun as far as I'm concerned, so I very much am looking forward to what he's got planned for New Avengers, which he's teased as being focused on the Marvel Illuminati attempting to stop the universe from colliding with another!

Batman Incorporated #6
(Morrison, Burnham)
Things have been getting increasingly better in Batman, Inc, and it has to do with Morrison finally breaking into some plot advancement instead of muddling around in mythos and talk of legacy and destiny.

The Flash #15
(Manapul, Buccellato)
Flash was absent from Justice League#15 due to Grodd's invasion of Keystone City. That's how important Francis Manapul and Brian Buccellato's "Gorilla Warfare" storyline seems to be -- that DC is cool with not having Barry hanging with the League for a while. And it makes sense because "Gorilla Warfare" is just so damn good.

Justice League Dark #15
(Lemire, Nolan)
What more can I say about Jeff Lemire's Justice League Dark other than it's one of DC's best current series. The fallout of "War for the Books of Magic" has left a void in the magic stability of the DC universe, and it's up the JLD to figure out how to get things working again.

Superman #15
(Lobdell, Rocafort)
"H'el on Earth" has been piecing itself together since Superman #13, a prologue issue that did little to build up this so-called major crossover. Scott Lobdell's narrative in Superman seems to be the primary storyline, though a lot more has been revealed and/or told about H'el -- and the story in general -- in the pages of Supergirl and Superboy thus far. Hopefully, Lobdell has something up his sleeve to really get this crossover to the next level, whatever that means.

Teen Titans #15
(Lobdell, Booth)
Finally, Teen Titans crosses over with Scott Snyder's "Death of the Family" as Red Robin has apparently been taken hostage by the Joker in Gotham City. Naturally, the team rolls out to save dear old RR, but what does that mean for a group of kids with no prior experience with the Clown Prince of Crime?

Extra! Extra!
All-New X-Men #5
(Bendis, Immonen)

Batman: The Dark Knight #15
(Hurwitz, Finch)

Red Lanterns #15
(Milligan, Sepulveda)

Talon #3
(Tynion IV, Snyder, Ryp)

Tuesday, July 17, 2012

4-SENTENCE REVIEWS (JULY 11-17)

AvX: VS #4 of 6
(Remender, Andrews, Peterson)

Last month's lackluster issue of AvX:VS really made me want to stop picking up this series - Marvel's penchant for pitting oddly-matched characters against one another has led to a lot of ridiculous panels that don't have a lot of substance behind them, even for this skimpy series. AvX: VS #4 tries to right this path by giving readers one obscure match-up, between Daredevil and Psylocke, and one 'big league' bout; Thor vs. Emma Frost. Daredevil and Psylocke's fight makes for a lot of cool ninja action and dour, speechless panels that are actually somewhat indicative of how these two people fight, while the Emma Frost/Thor match, on the other hand, feels like a demigod slapping fit that's not even drawn very well. The worst part of the issue is the panel that's angled behind Emma as she delivers a high kick to Thor and giving the entire audience a very clear shot of her lady section.

GRADE: C+






Before Watchmen: Minutemen #2 of 6
(Cooke)

Darwyn Cooke's fantastic Minutemen series has been leading the pack of Before Watchmen titles, combining amazing retro art with a phenomenal story that simultaneously gives readers some clean-cut history of these characters as well as intimate plot details that flesh out a group of heroes that was barely covered in the original 12-issue run of Watchmen. Disagreement over the team's focus becomes the focal point of Minutemen #2, with half the team dedicated to their cause, while the other half just wants to bask in the limelight. Silhouette, Nite Owl, and Mothamn track down a serial child molester, while Captain Metropolis and Hood Justice's sadistic homosexual relationship is highlighted, all while Comedian gets in an argument with Dollar Bill over the morality of making one's way in the world, no matter what the costs. While the decision to intercut a homosexual relationship (with dark, dark overtones) with half the team's search for a sick, twisted child molester might have been a bit half-baked, Cooke's masterful development of Minutemen keeps it at the top of the pile, making me want to come back each month for more.

GRADE: A


New Avengers #28
(Bendis, Deodato, Beredo)

While New Avengers has technically been crossing over with Marvel's "Avengers vs. X-Men" series since April, the last three issues have been set centuries in the past, recounting a time when the Phoenix took an Iron Fist as it's host. Since all that wrapped up last month, Brian Michael Bendis brings New Avengers into the present and focuses on the incarceration of Luke Cage, Spider-Woman, and Hawkeye, characters who have all had a major impact on their respective teams. The three Avengers are being held on Utopia when Hawkeye uses his dinner plate to break out, free Luke and Jessica, then mount a daring escape that sees them take down three of the Phoenix Five before they hijack a nearby speedboat. The revelation that their escape was simply a virtual reality simulation created by Danger is chilling and shows just how far Cyclops and the other Phoenix's are willing to go to break the spirits of Earth's Mightiest Heroes.

GRADE: B+



Spider-Men #3 of 5
(Bendis, Pichelli)

If last month's issue of Spider-Men was a whole lotta hardcore fan service, Spider-Men #3 is all about catering to the grander audience with the inclusion of Spider-Man's rogues gallery all appearing at once. Mysterio's abilities seem to have grown, and now his 'hallucinations' actually pack a punch, much to the chagrin of Peter Parker and Miles Morales. While much of the issue is dedicated to this brawl, the real meat of the issue comes when the battle ends and Peter strikes out on his own, hoping to find some vestige of personal familiarity in this oddly similar world. Of course, Peter finally makes his way to Ultimate Peter Parker's house in Queens to find his Aunt May, a scene that couldn't be more touching if Brian Michael Bendis wanted it to be.

GRADE: A